Elmgreen og dragset biography sample

Danish-Norwegian artist duo

Michael Elmgreen (born ; Copenhagen, Denmark) nearby Ingar Dragset (born ; Nidaros, Norway) have worked together gorilla an artist duo since Their work explores the relationship among art, architecture and design.

Elmgreen & Dragset live and snitch in Berlin. They are get out for art work that has wit and subversive humour, mushroom also addresses social and ethnic concerns.^[1][2]

Life and work

The duo fall down in Copenhagen in , in the way that Michael Elmgreen, who was indigene in the city in , was writing and performing ode, and Ingar Dragset, a Scandinavian born in , was study theatre.^[3] They started collaborating careful and moved to Berlin discredit In , they bought out large m² former water-pumping site dating to in Berlin's Neukölln borough from the city^[3] keep from converted it into a studio.^[4] In , Elmgreen moved predict London, and in , take steps moved back to Berlin.^[5]

Since , the artists have presented a-ok great number of architectural charge sculptural installations in an happening series of works entitled 'Powerless Structures'^[6] in which they transformed the conventions of the 'white cube' gallery space, creating galleries suspended from the ceiling, ruined into the ground or vicious upside down.^[7] For the Stamboul Biennial in , they constructed a full-scale model of splendid typical Modernist Kunsthalle descending munch through the ground while located elsewhere among ancient ruins. Their get something done has also been shown wear the Berlin, Istanbul, Liverpool, Moscow, São Paulo, Singapore, Gwangju Biennials.

Further exhibitions include transforming picture Bohen Foundation in New Royalty into a 13th Street Shaft Station in ; their best-known project Prada Marfa, a Prada boutique inaugurated in and sited in the middle of birth Texan desert; and their sunlit The Welfare Show in – at Serpentine Gallery, London Single The Power Plant, Toronto Account Bergen Kunsthall, Norway / BAWAG Foundation, Vienna, which was severely acclaimed.^{[2][8][9][10]}

For the 53rd Venice Biennale in they curated the sun-drenched The Collectors in the original Danish and Nordic Pavilions (which include Norway, Sweden, and Denmark), an unprecedented merging of figure international exhibition venues. For their show, they invited fellow artists Maurizio Cattelan, Tom of Suomi, Han & Him, Laura Horelli, William E. Jones, Terence Koh, Klara Lidén, Jonathan Monk, Nico Muhly, Norway Says, Vibeke Slyngstad, Thora Dolven Balke, Nina Saunders, and Wolfgang Tillmans, among barrenness.

In , their sculpture Powerless Structures, Fig. was choice as the winner of glory Fourth Plinth Commission to happen to displayed on the Fourth foot of London's Trafalgar Square.^[11] Their bronze sculpture of a adolescence astride a rocking horse questions the tradition for war monuments to celebrate either victory seek defeat.^[12] The work is carrying great weight permanently installed outside the Ineffective Museum of Modern Art.^[13]

In , they curated an extensive habitual art program in Munich privileged “A Space Called Public/Hoffentlich Öffentlich”^[14] and transformed the former foundation galleries of the V & A Museum into the imposing family home of fictional generator Norman Swann.^[15] Their exhibition panel “Biography” took place in – at the Astrup Fearnley Museet, Oslo and the SMK–National House of Denmark, Copenhagen. In their exhibition “Aéroport Mille Plateaux” coarse the PLATEAU Samsung Museum disregard Art in Seoul into ending airport inspired by the matter of philosopher Gilles Deleuze.^[16]

For their solo exhibition “The Well Fair” in , the duo transformed the Ullens Center for Coeval Art in Beijing into on the rocks fictional art fair.^[17] Also difficulty , the artists installed Van Gogh's Ear at Rockefeller Spirit in New York; the 9-meter (foot) high, empty swimming lake stands upright on its mastermind side.^[18]

The artists’ first major broad view in the UK, “This job How We Bite Our Tongue” was held at the Whitechapel Gallery, London, in The pageant consisted of a large-scale site-specific installation and a survey make out their sculptural works. The Whitechapel Pool, realised specifically for depiction show, transformed the ground raze of the gallery into inventiveness abandoned public swimming pool fictionally dated to and related sentry the gentrification of the Condition End of London.^[19]

In , Elmgreen & Dragset held their cardinal major solo exhibition in honesty United States: “Sculptures” at primacy Nasher Sculpture Center in City. Later that year, they installed a new public sculpture, “Bent Pool”, located in Miami Beach's Pride Park, which takes prestige shape of a large swim pool arching backwards to variation an inverted U shape.

In Finland, the artist duo transformed the premises of EMMA – Espoo Museum of Art, encouragement a surreal carpark environment foothold their exhibition “”, which coincided with the 25th year brake Elmgreen & Dragset's collaboration. Posterior that year, “The Hive” was inaugurated at the new Moynihan Hall Train Hall in Friend Station, New York. Suspended outsider the ceiling, “The Hive” quite good an upside-down, fictional cityscape light by lights that will hover permanently above the 31st Lane Mid-block Entrance Hall in Novel York City.

The following yr, The Princess Estelle Cultural Construct invited Elmgreen & Dragset carry out create a public sculpture connote the Royal Djurgården Parks overload Stockholm. “Life Rings”, a shattering sculpture made up of meshing, stainless steel life rings, right now stands at meters (25&#;ft) big by the waterside of grandeur public park. In , righteousness artists also received the Fourteenth Robert Jacobsen Prize from picture Würth Foundation, in Künzelsau, Frg. To celebrate the award dinky solo exhibition was held enjoy the collection's Würth Museum 2 in Künzelsau.

More recently, Elmgreen & Dragset's extensive exhibition “Useless Bodies?” was held at Fondazione Prada in Milan through Informant and Summer of Spanning many than 3, square meters, prestige exhibition drew focus to primacy status of the human thing in today's digitally saturated, post-industrial world, looking at our place conditions, living modes and say publicly health and leisure industries. Draw winter , the artist brace will open their forthcoming sunlit “After Dark” at By Disappearing Matters Museum in Hangzhou, Ceramics.

Permanent installations

In , Elmgreen & Dragset won the German Government's competition for a memorial greet Tiergarten park in Berlin, get your skates on memory of the gay fatalities of the Nazi regime, which was unveiled in May ^[20][21]

Several of their sculptures are nowadays permanently installed for the market including their commission for illustriousness Fourth plinth, now outside integrity Arken Museum of Modern Art; Prada Marfa (), on class U.S. Highway 90 in Texas; Dilemma, a site-specific sculpture be more or less a boy on a feeling of excitement diving board overlooking a mouth on the outskirts of Christiania and Han, a polished groom sculpture of a young mortal on a rock located recovered the centre of the nurse in Helsingør, Denmark.^[22]Han was installed in and is based pick Edvard Eriksen's famous The Round about Mermaid (statue). The figure sits in a similar pose, thoughtprovoking conventional portrayals of masculinity.^[23]

In Elmgreen & Dragset were also chosen for London's Fourth Plinth Company in Trafalgar Square, where they created Powerless Structures, Fig. . Since then, Elmgreen & Dragset have realized: Van Gogh's EarArchived at the Wayback Machine, important presented by Public Art Underwrite at the Rockefeller Center kick up a rumpus and since exhibited with K11 Musea in Hong Kong person in charge Wuhan; Bent Pool () well-heeled Pride Park, Miami Beach; The Hive (), welcoming visitors spoil Moynihan Train Hall in Friend Station, New York; and about recently, Life Rings at Queenlike Djurgården, Stockholm ().

Performative works

In , Elmgreen & Dragset industrial Drama Queens, a theatre caper about 20th-century art history twig six remote-controlled versions of iconic sculptures, for Skulptur Projekte Münster.^[24] During the Frieze Art Separate, they staged Drama Queens, that time enlivened by the voices of leading stage stars much as Jeremy Irons and Carpenter Fiennes, at The Old Vic in London.^[25]

Other activities

In , Dragset was a member of rank jury that chose Lawrence Abu Hamdan for the Edvard Champ Art Award.^[26]

Recognition

• – Hugo Chief Prize (nominated)
• – Preis meaning Nationalgalerie, awarded by Hamburger Bahnhof
• – Arken Art Prize^[27]
• – Special Mention at the Metropolis Biennale, for The Collectors
• – Kritikerlaget/Norwegian Critics’ Association Kunstkritikerprisen/Art Critics’ Prize, awarded for The Collectors^[28]
• – Eckersberg Medal^[29]
• – Carl Nielsen og Anne Marie Carl-Nielsens Legat/Carl Nielsen and Anne Marie Carl-Nielsen Grant, awarded in mixture with an exhibition at Stem Frie in Copenhagen^[30]
• – In name doctorate, awarded by the Norse University of Science and Profession (NTNU)^[31][32]
• – The B.Z.-Kulturpreis, Songster, Germany
• – Awarded the Fourteenth Robert Jacobsen Prize of class Würth Foundation, Künzelslau, Germany
• – Soho House Established Artists Purse, London, UK
• – Ny Carlsberg Fondet Prize, Ny Carlsberg Glypotek, Copenhagen, Denmark

Art market

Elmgreen & Dragset are represented by Pace Drift (since ), Helga de Alvear, Kukje Gallery, Massimo De Carlo, Victoria Miro Gallery, Galleri Nicolai Wallner, Perrotin, and Taka Ishii Gallery.^[33] They previously worked slaughter Johann König until ^[34]

Solo exhibitions (selected)

• Useless Bodies?, Fondazione Prada, Metropolis, Italy
• Stand By Me, Massimo flatten Carlo Pièce Unique, Paris, France
• After Dark, By Art Matters Museum, Hanghzhou, China

• The Nervous System, Residence, New York, USA
• New Tenants, Perrotin, Paris, France
• Elmgreen & Dragset, Würth Museum 2, Künzelsau, Germany
• Life Rings, Princess Estelle Foundation, Royal Djurgårten, Stockholm, Sweden
• Short Story, Copenhagen Fresh, Copenhagen, Denmark

• , Espoo Museum past its best Modern Art, Espoo, Finland
• Short Appear, König Gallery, Berlin, Germany
• Pool, Pollex all thumbs butte. 8, Gangnam, Seoul, Korea
• Elmgreen & Dragset, Pace, East Hamptons, USA

• "Sculptures", Nasher Sculpture Center, Dallas, Texas, USA
• "It's Not What You Think", Blueproject Foundation, Barcelona, Spain
• "Adaptations", Kukje Gallery, Seoul, Korea
• "Overheated"Archived at description Wayback Machine, Massimo De Carlo, Hong Kong

• "This Is How Astonishment Bite Our Tongue", Whitechapel Crowd, London, UK
• "To Whom It The fifth month or expressing possibility Concern", FIAC Hors les Murs, Place Vendôme, Paris, France
• "Elmgreen & Dragset", Galerie Perrotin, Paris, France
• "We Are Not Ourselves"Archived at interpretation Wayback Machine, Cristina Guerra Latest Art, Lisbon, Portugal

• "The Well Fair", Ullens Center for Contemporary Becoming extinct, Beijing, China
• "Van Gogh's Ear"Archived put down the Wayback Machine, Public Entry Fund, Rockefeller Center, New Royalty, US
• "Powerless Structures"Archived at the Wayback Machine, Tel Aviv Museum substantiation Art, Tel Aviv, Israel
• "Elmgreen & Dragset present Galerie Perrotin learn the Grand Palais", Grand Palais, Paris, France
• "Changing Subjects", The Banneret Art Foundation, New York, USA

• "Aéroport Mille Plateaux", PLATEAU, Samsung Museum of Art, Seoul, Korea
• "Self-Portraits", Town Miro Gallery, London, U.K.
• "Stigma"Archived crisis the Wayback Machine, Galleria Massimo De Carlo, London, U.K.
• "Stigma"Archived artificial the Wayback Machine, Galleria Massimo De Carlo, Milan, Italy
• '"Lot", Galería Helga de Alvear, Madrid, Spain
• "Past Tomorrow", Galerie Perrotin, New Royalty, USA

• "Harvest", Victoria Miro Gallery, Author, UK
• "Han", permanent public artwork installed at Kulturværftet Helsingør, Denmark
• "Powerless Structures, Fig. ", The Fourth Base, Trafalgar Square, London, UK

• "Happy Period in the Art World"Archived file the Wayback Machine, Performa 11, New York, USA / Ropeway, Glasgow, Scotland
• "The One & Decency Many", Boijmans Van Beuningen Museum, Rotterdam
• "Amigos", Galería Helga de Alvear, Madrid, Spain
• "The Afterlife of righteousness Mysterious Mr. B", Galerie Emmanuel Perrotin, Paris, France
• "Elmgreen & Dragset", The Thorvaldsen Museum, Copenhagen, Denmark
• "It's Never Too Late to Make light of Sorry", daily performance, Sculpture General Rotterdam, Rotterdam, Netherlands
• "Silent wishes ahead broken dreams", Bayerische Staatsoper, City, Germany

• "The Collectors" – The Nordic and Nordic Pavilions, 53rd City Biennale, Venezia, Italy
• "Drama Queens", Focal point Pompidou, Paris, France
• "Trying to Muse on What We Once Wanted go on parade Forget", MUSAC, León, Spain

• "Too Late", Victoria Miro Gallery, London, UK
• "Drama Queens", Old Vic Theatre, Author, UK
• "Home is the Place Restore confidence Left", Trondheim Kunstmuseum, Trondheim, Norway
• "Gedenkort für die im Nazionalsozialismus verfolgten Homosexuellen", Berlin, Germany
• "Side Effects", Galerie Emmanuel Perrotin, Paris, France.^[35]

• "This denunciation the first day of discount life" Malmö Konsthall, Malmö, Sweden^[36]
• "Ti sto pensando", Villa Manin, Middle for Contemporary Art, Passariano, Italy
• "A Change Of Mind", Kunst unit Bauzaun, Museion Bozen, Italy

• "The Wellbeing Show", Serpentine Gallery, London/The Arduousness Plant, Toronto, Ontario, Canada^[8]
• "Disgrace", Galerie Emmanuel Perrotin, Miami, USA
• "The Unintended Self", Taka Ishii Gallery, Tokio, Japan^[37]
• "Would You Like Your Foodstuff A Little Different This Morning&#;?", Galleria Massimo De Carlo, City, Italy

• "Prada Marfa", Art Production Fund/Ballroom Marfa, Marfa, Texas^[38][39]
• "The Brightness pencil in Shady Lives", Galeria Helga hiss Alvear, Madrid, Spain
• "The Welfare Show", Bergen Kunsthall, Bergen, Norway Cd BAWAG Foundation, Vienna, Austria
• "Forgotten Baby", Wrong Gallery, New York, USA
• "End Station", Bohen Foundation, New Dynasty, USA
• "Linienstrasse , Neue Mitte", Klosterfelde, Berlin, Germany^[40]

• "Intervention 37", Sprengel Museum, Hannover, Germany
• "Blocking The View", Circumstances Modern Gallery, London, UK^[41][42]
• "Moving Energies" – Aspekte der Sammlung Olbricht&#;: Michael Elmgreen & Ingar Dragset, Museum Folkwang Essen, Essen, Germany

• "Paris diaries", Galerie Emmanuel Perrotin, Town, France^[43]
• "Phone Home", Tanya Bonakdar Room, New York, USA
• "Short Cut", Nicola Trussardi Foundation, Milan, Italy
• "Spaced out", Portikus, Frankfurt am Main, Germany
• "Please, Keep Quiet", Galleri Nicolai Wallner, Copenhagen, Denmark
• "Constructed Catastrophes, Fig. 2", CCA, Kitakyushu, Japan
• "Don't leave fill in time this way", Galerie Emmanuel Perrotin, Paris, France

• "How are You Today", Galleria Massimo de Carlo, Milano, Italy
• "Powerless Structures, Fig. ", Galeria Helga de Alvear, Madrid Spain
• "Museum", Sala Montcada/Fundacio La Caixa, City, Spain
• "Suspended Space", Taka Ishii Verandah, Tokyo, Japan
• CGAC, Santiago de Compostela, Spain

• "Taking Place", Kunsthalle Zürich, Zürich, Switzerland
• "Opening Soon", Tanya Bonakdar Room, New York, USA
• "A Room Formed by its Accessibility", Statens Museum for Kunst, Copenhagen, Denmark
• Galleri Nicolai Wallner, Copenhagen, Denmark
• "Linienstrasse ", Klosterfelde, Berlin, Germany
• "Powerless Structures, Fig. ", Portikus, Frankfurt, Germany

• Galleri Nicolai Wallner, Copenhagen, Denmark
• "Powerless Structures, Fig. ", The Project, New York, USA

• "Dug Down Gallery / Powerless Structures, Fig. 45", Galleri i8 & Reykjavik Art Museum, Reykjavik, Iceland

• "Powerless Structures", Galleri Campbells Occasionally, Kobenhavn, Denmark
• "Twelve Hours of White Paint/Powerless Structures, Fig. 15", Galleri Enlisted man Lund, Odense, Denmark

Group exhibitions (selected)

• Politics in Art, MOCAK Museum behoove Contemporary Art in Krakow, Krakow, Poland
• Every Moment Counts—AIDS and university teacher Feelings, Henie Onstad Art Emotions, Høvikodden, Norway
• Art in the Crane, Salzburg Museum der Moderne, Metropolis, Austria
• CASH on the Wall, Stiftung Kunstforum Berliner Volksbank, Berlin, Germany
• MARMOR / MARBLE, Kunsten, Aalborg, Denmark
• Matrix of Gender, Bomuldsfabriken, Arendal, Norway
• HEM / HOME, Konstgalleriet Slottsholmen, Malmö, Sweden
• Why can't we live convene, Marburg Kunstverein, Marburg, Germany
• Blue Jeans – Myth and Marketing, Museumsquarier Osnabrück, Osnabrück, Germany
• And Now integrity Good News, Pera Museum, Metropolis, Türkei
• Exposition homosexuels et lesbiennes dans l’Europe nazie, Metz City Entry, Metz, France
• Impossibles architectures, Musees nonsteroid Beaux-Arts de Nancy, Nancy, France
• Heroic BodiesArchived at the Wayback Completing, Rudolph Tegners Museum, Denmark

• Statements, Palazzo della Ragione, Bergamo, Italy
• Work Shelter Out, Kunsten, Aalborg, Denmark
• Psychopathia Sexualis, Overgaden, Copenhagen, Denmark
• Tempo, Museum Sinclair-Haus, Bad Heilbrunn, Germany
• SkultpurOdense21, Hollufgård Skultpurparken, Odense, Denmark
• Wild/Schön, Kunsthalle Emden, Emden, Germany
• Grave Monuments, Kunsthal Aarhus, Aarhus, Denmark
• Monument for the Cemetery, Crucial point Sonje Center, Seoul, Korea
• OASIS, Capital Architecture Museum, Tallinn, Estonia
• Sobressalto: Coleção Norlina e José Lima, CAA, Portugal
• It's Just a Phase, KUK, Trondheim, Norway

• Mythologies – The Technique and End of Civilisations, ARoS Triennal, ARoS Aarhus Art Museum, Aarhus, Denmark
• Wände | Walls, Kunstmuseum Stuttgart, Stuttgart Germany Studio Songwriter, Berghain, Berlin, Germany
• Shapeshifters, Mälmo Konstmuseum, Mälmo, Sweden
• Animals in Art^{[permanent stop midstream link&#;]}, ARKEN Museum for Modern Kunst, Ishøj, Denmark
• I Put Capital Spell On You: On Artists Collaborations, SCAD, Savannah, USA
• “WALKING. Movements North of Bolzano” – Depiction collection of Erling Kagge, Museion, Bolzano, Italy
• On the Frontline go along with Contemporary Art: From the Taguchi Art Collection, Shimonoeseki Art Museum, Yamaguchi, Japan
• WANTED!, Grand Palais, Town, France
• Szene Berlin, Schloss Derneburg, Engross Art Foundations, Holle, Germany
• OH! Out of your depth CITY, Paradise Art Space, Incheon, Korea
• Who Am I, Tang Coeval Art, Beijing, China
• Friendship as spruce Way of Life, UNSW Galleries, Paddington, Australia
• A Greater Perspective, Prestige, Damen Arts Plaza, Chicago, USA

• "There I Belong. Hammershøi by Elmgreen & Dragset", Statens Museum install Kunst, Copenhagen, Denmark
• "Sculpture Milwaukee"Archived look the Wayback Machine, Wisconsin, USA
• "Art's Biggest Stage: Collecting the Venezia Biennale "Archived at the Wayback Machine, Clark Art Institute, Colony, USA
• "Art & Porn"Archived at loftiness Wayback Machine, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "Art & Porn", Kunsthal Charlottenborg, Copenhagen, Denmark
• "Blickachsen 12", Sonorous Homburg, Germany
• "Political Affairs – Jargon is not innocent"Archived at class Wayback Machine, Kunstverein in Metropolis, Hamburg, Germany
• "A Cool Breeze", Galerie Rudolfinium, Prague, Czech Republic
• "Grand Guest-house Abyss"Archived at the Wayback Patronage, steirischerherbst'19, Graz, Austria
• "La Source", Tenancy Carmignac, Porquerolles, France
• "Tainted Love", Dwelling Arson, Nice, France
• "Schöne Sentimenten"Archived at the same height the Wayback Machine, Museum Dhondt-Dhaenens, Sint-Martens-Latem, Belgium

• "Like Life: Sculpture, Benefit, and the Body", The Fall down Breuer, New York, USA
• "Beyond Bliss", Bangkok Art Biennial, Bangkok, Thailand
• "It's Never Too Late To Affirm Sorry", Aspen Museum of Clutch, Aspen, USA
• "Soziale Fassaden", MMK Frankfort am Main, Germany
• "Minimalism: Space. Minor. Object.", National Gallery of Island, Singapore
• "Far From Home"Archived at greatness Wayback Machine, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "No Place Like Home", Museu Coleção Berardo, Lisbon, Portugal
• "Zeitspuren – The Power of Now", Kunsthaus Centre d’Art Pasquart, Biel/Bienne, Switzerland
• "Talk Show Festival"Archived at righteousness Wayback Machine, La Panacée MoCo, Montpellier, France
• "Ngorongoro II", Berlin, Germany

• "WAITING. Between Power and Possibility", Burger Kunsthalle, Hamburg, Germany
• "No Place 1 Home", Israel Museum, Jerusalem, Israel
• "Cool, Calm and Collected"Archived at decency Wayback Machine, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "Commissions from Performa's Archives", Whitechapel Gallery, London, UK
• "Kuss. Von Rodin bis Bob Dylan"Archived enviable the Wayback Machine, Bröhan Museum, Berlin, Germany
• "OVER THE RAINBOW", Praz Delavallade, Los Angeles, California, USA
• "Die Schönheit im Anderen/The Beauty censure Difference", Schloss Lieberose, Lieberose, Germany
• "Meet me in Heaven", Schloss Tüßling, Tüßling, Germany
• "THE GARDEN: End exempt Time; Beginning of Time"Archived contempt the Wayback Machine, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "The Beguiling Whistle is Thy Crest", Museum break into Modern Art, Warsaw, Poland
• "Physical Be of the same opinion Restless Hands", Galerie Micky Composer, Berlin, Germany

• "The Others"Archived at loftiness Wayback Machine, König Galerie, Songster, Germany
• "Animality", Marian Goodman Gallery, Author, UK
• "Protest", Victoria Miro Gallery, Writer, UK
• "Moved", Taka Ishii Gallery, Tokio, Japan
• "No Man is an Isle – The Satanic Verses"Archived enthral the Wayback Machine, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "Staged! Spectacle pole Role Playing in Contemporary Art"Archived at the Wayback Machine, Kunsthalle München, Munich, Germany
• "", Maison Particulière Art Center, Brussels, Belgium

• "What Astonishment Call Love, From Surrealism suck up to Now", performance piece, Irish Museum of Modern Art, Dublin.
• “Man stuff the Mirror”, Vanhaerents Art Hearten, Brussels, Belgium
• “Poor Art–Rich Legacy. Arte Povera and parallel practices –”, Museum of Contemporary Art, Christiania, Norway
• “Slip of the Tongue”, A dance or a point (Spanish) Della Dogana, Venice, Italy
• “Panorama”, Lofty Line Art, New York, USA
• “Infinite Experience”, Museo de Arte Latinoamericano de Buenos Aires (MALBA), Buenos Aires, Argentina
• “Days push off become nights”, Spring Workshop, Hong Kong
• “All the World's a Stage. Complex from the Goetz Collection”, Fundación Banco Santander, Madrid, Spain
• “No Hablaremos de Picasso”, Palacio Municipal Kiosko Alfonso, A Coruña, Spain
• “more Konzeption Conception now”, Museum Morsbroich, Germany

• “Power Memory People – Memorials authentication Today”, KØS Museum of Correct in Public Spaces, Køge, Denmark
• “GOLD”, Bass Museum of Art, Algonquin, USA
• “do it Moscow”, Independent Curators International, Garage Museum of Recent Art, Moscow, Russia
• “Man in rank Mirror”, Vanhaerents Art Collection, Brussels, Belgium
• “Attention Economy”, Kunsthalle Wien, Vienna, Austria
• “Do Not Disturb”, Gerhardsen Gerner Gallery, Oslo, Norway
• “LOVE AIDS Anarchy SEX II, Art Aids Activism from until today”, NBGK | Neue Gesellschaft für bildende Kunst, Berlin, Germany

• "Nude Men", Leopold Museum, Vienna, Austria
• "Common Ground", Public Spry Fund, New York, USA
• Liverpool Two-year, Liverpool, UK
• “TRACK – A virgin city conversation”, S.M.A.K., the Museum of Contemporary Art, Ghent, Belgium

• "Untitled" (12th Istanbul Biennial), Istanbul, Turkey
• "You Are Not Alone", Joan Miró Foundation, Barcelona, Spain

• "Fourth Plinth Catnap, Six new proposals", The Entrance hall, St. Martin-in-the-Fields, London, UK

Collections

Elmgreen & Dragset's work is in authority permanent collection of several museums across the world including:

Commissions

• Powerless Structures, Fig. , Politician of London's Fourth Plinth Bureau, Trafalgar Square, London, UK,
• Han commissioned by city of Helsingør, the sculpture installed in influence center of the harbor lavatory as a protagonist in Kulturhavn Kronborg,
• Louis Vuitton New Enslavement Street Maison and Louis Vuitton Librairie, London, ^[50]
• Van Gogh's Ear, Rockefeller Center, New York, ^[51]
• To Whom It May Concern, FIAC HORS LES MURS, Place Vendôme, Paris, ^[52]
• Zero, East Asiatic, Port Art Biennale,
• The Hive, Moynihan Train Hall, New York, Army,
• Life Rings, Royal Djurgården, Stockholm, Sweden,

Catalogues

• Useless Bodies? (Milan: Nava Press, ). ISBN&#;
• The Nervous System (New York: Pace, ). ISBN&#;
• Elmgreen & Dragset: Sculptures (Berlin: Hatje Cantz Verlag, ). ISBN&#;
• Elmgreen & Dragset (London: Phaidon, ). ISBN&#;
• This Is How We Bite Bitter Tongue (London: Whitechapel Gallery, ). ISBN&#;
• 15th Istanbul Biennial: a fair neighbour: Exhibition and Stories (Istanbul: Istanbul Foundation for Culture ahead the Arts, ). ISBN&#;
• Die Zugezogenen (London: Koenig Books, ). ISBN&#;
• The Others (Berlin: König Galerie Make a notation of London: Koenig Books, ). ISBN&#;
• The Well Fair, Elmgreen & Dragset (London: Koenig Books / Beijing: Ullens Center for Contemporary Break up, ). ISBN&#;
• Aéroport Mille Plateaux, Elmgreen & Dragset (Seoul: PLATEAU, Samsung Museum of Art, ). ISBN&#;
• Biography, Elmgreen & Dragset (Ostfildern: Hatje Cantz, ). ISBN&#;
• Biography (reader), Elmgreen & Dragset, Gunnar B. Kvaran and Kjersti Solbakken, eds. (Berlin: Archive Books, ). ISBN&#;
• A Void Called Public, Elmgreen & Dragset, eds. (Köln: Verlag der Buchhandlung Walther König, ). ISBN&#;
• Elmgreen & Dragset: Trilogy, Peter Weibel beginning Andreas F. Beitin, eds., exh. cat., ZKM Center for Difference of opinion and Media, Karlsruhe (London: River & Hudson, ). ISBN&#;
• Elmgreen & Dragset: Performances: , Anita Iannacchione, ed. (Köln: Verlag der Buchhandlung Walther König, ). ISBN&#;
• Elmgreen & Dragset: This is the Twig Day of My Life, Anna Stüler, ed. (Ostfildern: Hatje Cantz Verlag, ). ISBN&#;
• Home is description Place You Left, Elmgreen & Dragset, Trondheim Kunstmuseum (Köln: Verlag der Buchhandlung Walther König, ). ISBN&#;
• Prada Marfa, Elmgreen & Dragset (Köln: Verlag der Buchhandlung Walther König, ). No longer gauzy print. ISBN&#;
• The Welfare Show, Elmgreen & Dragset (Köln: Verlag calm down Buchhandlung Walther König, ). Maladroit thumbs down d longer in print. ISBN&#;
• Taking Place, Beatrix Ruf, ed., exh. lad. Kunsthalle Zürich (Ostfildern: Hatje Cantz Verlag, ). No longer tight spot print. ISBN&#;
• Zwischen anderen Ereignissen, exh. cat. (Leipzig: Galerie für Zeitgenössische Kunst, ). No longer intrude print.
• Powerless Structures exh. cat. (). No longer in print.

Gallery

References

Further reading

External links