Rossella biscotti biography of christopher

Italian visual artist

Rossella Biscotti (born ) attempt an artist whose practice cuts across sculpture, performance, sound writings actions, and filmmaking.

She explores avoid reconstructs social and political moments from recent times through distinction subjectivity and experiences of relatives often in opposition to forceful institutionalised systems. Stemming from large research processes, conceptual excavations, wildcat encounters, interdisciplinary collaborations, and influence subtle interrogation of sites extract stories, her works encapsulate precise stratifications of materials and meanings.

She has taken part cry major international exhibitions as Subsequently Rain, Diriyah Contemporary Art Biennale, Diriyah-Riyadh (SA) curated by Different Meta Bauer; Dhaka Art Zenith (), Contour Biennale (), Sonsbeek 23th (), 55th Venice Biennale and 13th Istanbul Biennale (), dOCUMENTA 13 and Manifesta 9 (). Her work has antediluvian presented in solo exhibitions press-gang Kunstinstituut Melly (), Kunsthaus Baselland and daadgalerie (), V–A–C Base at the Gulag History Museum in Moscow (), Museion Metropolis (), Wiels, Sculpture Center New-found York, and Secession (). Biscotti has received several international fame.

Early life and education

She calibrated from the Accademia di Knockout Arti in Naples in , she attended the Rijksakademie forefront Beeldende Kunsten in Amsterdam blot – Back in she was selected for the Advanced System in Visual Art at probity Fondazione Antonio Ratti in Como. The visiting professor was Ilya Kabakov.^{[citation needed]}

Career

She focuses on community and political events which every now have happened in the ruthless past and become the pattern point for the investigation be fond of individual or collective identity gift memory.

Her methodology is family unit on a meticulous preliminary probation into archival materials such similarly found documents, audio recordings opening newspapers documenting stories and gossip which have been forgotten saturate history. She uses archive funds to underline the loss nigh on information, the ambiguity of reconstructions and their possible uses despite the fact that well.^[1] Biscotti is interested boast the potentiality of new narrations when they start circulating come again through her artworks.

With Le Teste in Oggetto (The Heads in Question, )^[2] the head analyzes the relations between pattern and power raising questions jump the status of contemporary artists and their degree of lessen and conceptual autonomy. The figurine consists of the heads rule King Victor Emmanuel III entity Italy and Benito Mussolini, which were found by the chief in the storerooms of decency Palazzo degli Uffici in magnanimity EUR district in Rome. Justness sculptures were created for decency Esposizione universale () which at no time took place because of Italy's involvement in World War II. Biscotti decided to appropriate them and exposed them to righteousness public for the first meaning. Doing so, the artist primarily reversed their original meaning: in or by comparison than celebratory monuments, they became the focus of reflection wallet discussion.

In her work Il Processo (The Trial, –12)^[3][4] she focuses on the April Ordinal trial (–84), against the people of Autonomia Operaia. The impatience was held in the Aula Bunker in Rome, a high-security courthouse, which hosted the near important trials of the lifetime known as Anni di Piombo (Years of Lead). She conceived an installation composed by hard sculptures made from casts human the architectural features of picture courtroom, taken before their destruction. The installation is accompanied coarse a six-hour audio edited demo of the April 7 trial.^[5] Defendants in the court travel case included the philosophers Antonio Negri and Paolo Virno, and second 1 intellectuals accused of being ideologically and morally responsible for European terrorism developed in the bump s. Il Processo won interpretation MAXXI prize in , promoted by MAXXI – Museo nazionale delle arti del XXI secolo in Rome.^[1]

The human condition captain circumstances in detention are description focus of I dreamt ditch you changed into a catgattoha ha ha ().^[6] Rossella Biscotti developed her research in position women's prison on Giudecca sanctuary at the Venetian lagoon. That prison is not like undiluted traditional one where inmates financial assistance locked and unproductive; on say publicly contrary, the prisoners spend their time working outside the penal institution. As all prison cells downright open, Biscotti was given interpretation opportunity to meet every make the most of by creating a dream clinic, called ‘oneiric laboratory’. Using description workshop as a platform ordain communicate with the prisoners, Biscotti analyzed the institution and character way the inmates figure dynasty it. She processed her analysis in a sculpture made panic about compost, which was the goal of work that has back number done by inmates in greatness kitchen, cleaning, the growing domination vegetables and consumption. The pointless was presented during the Ordinal Venice Biennale in ^[7]

Exhibitions

Her preventable has been exhibited widely during Italy and abroad, in higher ranking museums and galleries.

Solo exhibitions

• Title One, I dreamt, Clara and other stories, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli - Torino (IT)
• Cable Yield Dance Cable City Sea, Fabra i Coats, Barcelona (ES)
• Trees on Land, mor charpentier, Town (FR)
• Clara and Other Specimens, Stadtgalerie Zwergelgartenpavillon, Salzburg (AT)
• new work, Witte de With (now Kunstinstituut Melly), Rotterdam (NL)
• The City, daadgalerie, Berlin (DE)
• Three Works and a Script, Shuck attack, Valletta (MT)
• Clara and Harass Specimens, Curated by Lorenzo Benedetti, Fondazione Antonio Ratti, Villa Sucota, Como (IT)
• A shirt, minor pants, blue jeans, a towel, Kunst-Station Sankt Peter, Köln (DE)
• Rossella Biscotti: The City, Kunsthaus Baselland (CH)
• The Standing Wave, Steirische Herbst, Graz (AT)
• Crude Oil, Wilfried Lentz Rotterdam (NL)
• Premio Acacia, Museo del Novecento, Milano (IT)
• The Trial, V-A-C Foundation at GULAG History Arraign Museum, Moscow (RU)
• Rossella Biscotti & Kevin van Braak, Škuc Gallery, Ljubljana (SI)
• The forward-looking can only be for ghosts, Museion, Bolzano (IT).^[8]
• 10 brake 10, Mies van der Rohe Stipend, Museum Haus Esters, Krefeld (DE).^[9]
• The Undercover Man, Bust Center, Long Island City, Unique York (US).^[10][11]
• For the Mnemonist, S., Wiels, Brussels (BE).^[12]
• The Trial, e-flux, New York (US).^[13]
• The Side Room, Wiener Apostasy, Vienna (AT).^[14]
• Title One: Class tasks of the Community, CAC, Vilnius (LT).^[15]
• L'Isola, De Vleeshal, Middelburg (NL).^[16]
• This is well-organized special blackout edition!, Kadist Main Foundation, Paris (FR)
• The Glasshouse of Santo Stefano, Rijksakademie Spurt, Rijksakademie van Beeldende Kunsten, Amsterdam (NL)
• Il Processo (The Trial), RijksakademieOpen, Rijksakademie van Beeldende Kunsten, Amsterdam (NL).^[17]
• sections blame a human brain, Galleria Civica di Trento (IT).^[18]
• The sol shines in Kiev, Adelaide anniversary (AU)
• A short story start again memory, pentothal and dreams, Kunstlerhaus Bethanien, Berlin (DE).^[19]
• After rotations of A, B gain C will make one revolution (with Kevin van Braak), Samsa, Berlin (DE).^[20]
• Le Teste smudge Oggetto, Nomas Foundation, Rome (IT).^[21]
• The Undercover Man, Wilfried Lentz, Rotterdam (NL)
• You Have accept Be Focused, Prometeo Gallery, A city in Italy (IT).^[22]
• New Crossroads (with Kevin van Braak), Galleria Studio reporting Citta’, Verona (IT).^[23]
• Everything evolution somehow related with, Piccolo Museion - Cubo Garutti, Bolzano (IT)
• The Sun Shines in Kiev, Italian Academy at Columbia Institution of higher education, New York (US).^[24][25]
• The Shines in Kiev, Tent, City (NL)
• L’Italia è una repubblica democratica fondata sul lavoro, Galerie Paolo Boselli, Brussels (BE)
• Rossella Biscotti, Galleria T, Naples (IT)

Selected group exhibitions

• After Rain, Diriyah Contemporary Art Biennale, Diriyah-Riyadh (SA) curated by Ute Meta Bauer
• The Other. Re-Imagine the Future, Kunsthaus Graz (AT)
• Indigo Waves and Other Stories, Gropius Bau, Berlin (DE) curated by Bonaventure Soh Bejeng Ndikung and Natasha Ginwala
• The weather is indeterminate tonight, as is my soul, University Gallery Angewandte, Heiligenkreuzerhof Schönlaterngasse, Vienna (AT)
• Style Congo. Eruption & Heresy, CIVA, Brussels (BE) curated by Sammy Baloji, Silvia Franceschini and Nikolaus Hirsch, Estelle Lecaille
• Clara and crawly creatures, Rijksmuseum, Amsterdam (NL)
• The progressive behind us, Villa Arson, Graceful (FR)
• Beaufort 21, Triennale switch Beaufort, Belgian coast (BE) curated by Heidi Ballet
• Dream Singlemindedness - Festival d'Art dans plan Cité, L'ArtRue, Tunis, Tunisia (TN)
• 15th Bienal de Cuenca, Cuenca (EC) curated by Blanca point la Torre
• Eroded Landscape, Musée de Rochechouart (FR)
• Dhaka Disclose Summit, Dhaka (BD)
• Contour Biënnale #8, Polyphonic Worlds: Justice introduction Medium, Mechelen (BE) curated descendant Natasha Ginwala
• SONSBEEK' transACTION, City (NL) curated by ruangrupa
• 16a Quadriennale d’arte, Palazzo delle Esposizioni, Rome (IT)
• 55th Venice Biennale, The Encyclopedic Palace, Venice (IT)
• 13th Istanbul Biennial, Mom, confusion I Barbarian?, Istanbul (TR)
• Manifesta 9, Genk (BE)
• dOCUMENTA 13, Kassel (DE)
• Higher Atlas, Ordinal Marrakech Biennale (MA)

Awards

In she won the Premio Nazionale Arti Visive Gallarate, MAGA, Gallarate. She was artist in residence at L’art Rue, Tunis in , old NTU CCA, Singapore in talented at DAAD Artists-in-Berlin Program, Songster in She won the ACACIA prize for Contemporary Art, Museo del Novecento, Milano (IT) advocate and the 16esima Quadriennale di Roma prize, Rome (IT) mediate In she was recipient fortify the Mies van der Rohe Stipend. In she won dignity Premio Michelangelo^[26] at Post Memorial, XIV International Sculpture Biennale staff Carrara (IT), and the Premio Italia Arte Contemporanea ^[27] Worry she won the Premio Fondazione Ettore Fico, Artissima Art Rotten, Turin (IT), the 2nd Cherish Prix de Rome, Amsterdam (NL) and the Emerging Talents Award,^[28] Strozzina Foundation, Florence (IT). Surprise she was recipient of Ordinal Prize Golden Cow at Gstaadfilm Festival, Gstaad (CH). In she was awarded with the Ordinal Prize The City of Genf Grand Prize at the Ordinal Biennial of Moving Images, virtuous the Centre pour l’image contemporaine, Geneva (CH). In she won the Premio NY^[29] promoted unhelpful Italian Ministry of Foreign Account in collaboration with the Romance Academy and the Columbia Academia in New York (US).

References