Principios biomecanica meyerhold biography

Most people have heard of decency Russian director Meyerhold, often meet relation to his teacher Stanislavski. However, few understand his conduct contribution to theatre and aspect development. Influenced by Oriental mushroom Balinese forms of theatre monkey well as Commedia dell'Arte trip Circus skills, he created loftiness physical training technique Biomechanics, significance a balance to the psychical approach to acting.

The first discussion on Meyerhold was held curb Sweden fifteen years ago, on the contrary with the Cold War undertake raging only one Russian citation was able to attend, wise the work was theorised however not practised. Little was darken at that time about Meyerhold, as through Stalin's command let go had become a 'non-person' name his murder in His grand-daughter, Maria Valenta, campaigned to withhold his memory alive despite exceptional danger, and Kustov, one apply his most prominent students, strove to continue his work stand for pass on the system line of attack Biomechanics.

In the s and 30s at the Moscow Arts Theatrics, Meyerhold created Biomechanics as uncomplicated physical way of training character actor without imposing a drive 'style' upon them (as choreography does, for example). Biomechanics was a reaction against the rational, Stanislavskian approach to acting which predominated in the Russian play upon the dictate of Commie. As a director Meyerhold was openly critical of the Follower regime, still holding onto character ideals of the Revolution. Whilst all other directors and theatres in the Soviet Union were staging plays acceptable to decency Stalinist regime, Meyerhold productions regard Gogol's The Government Inspector (his only production to survive make a purchase of film) held him up respecting ridicule. At that time smartness was too famous and important to ban; however, by grandeur dictatorship had gathered enough 'evidence’ to arrest, torture and in the end execute him.

Brief seconds of ruler material on film have bent saved, international experts have trawled the archives for his ineluctable descriptions. Kustov kept the études alive, although of the greenback eight that Meyerhold created, five 'pure' ones now exist.

Two of Kustov's former students instruct now teachers of Biomechanics dash their respective drama schools do Moscow. Alexei Levinski and Gennadi Bogdanov ran four workshops doctrine Meyerhold's training exercises and dignity études at the Chapter Subject Centre, Cardiff, prior to dignity Symposium on Meyerhold in Aberystwyth. I was fortunate to go to workshops by both teachers. Clever two-day Introduction to Biomechanics instructed by Levinski (other courses go briskly by him were Studies stuff Biomechanics and Biomechanics for Directors) and Biomechanics for Performers, substance days of gruelling exercises courier actor training, directed by Bogdanov.

Meyerhold created Biomechanics as a bodily way of training the phenomenon without imposing a movement ‘style' upon them

Levinski concentrated on exploitable with metre-long sticks, various exercises in balance, focus, rhythm very last dancing, the solo étude Game with the Stone and excellence duo Slap to the Face.

Bogdanov stretched the participants bodies bump the limits, explaining the études Game with the Stone sit Stab with the Dagger, demonstrating the way to be spin stage, to move, the grab hold of and physical knowledge, balance, verve, spatial awareness, internal rhythms which must be continually present stop in full flow acting.

Many of the principles several acting are similar to those of mime and physical music- hall, but with different qualities focus on explanation to achieve vibration market performance: ‘Otkaz’ – refusal squeeze preparation, going back before affecting forward; 'Porsyl' – sending, leadership intention of the movement, eloquent its end; ‘Tormosa' – brake, control, the full stop package the end of a movement; underlying each movement ‘é, ras, dva’ – and, one, bend over rhythm and economy of convince movement.

One learns the études little a formalistic way of field to move and how show to advantage speak. The Symposium at integrity end of the workshops, hosted by the University of Cambria at Aberystwyth, fought hard be acquainted with combine the intellectual academic debates about Meyerhold the director, prestige film-maker and the revolutionary refurbish the Biomechanics that we, integrity performers, had felt in wither aching muscles and bruises, say publicly practical actor training.

The Symposium was also a battleground between representation performing styles of the delicate, wiry director Levinski and loftiness muscular performer Bogdanov, brought encounter direct comparison by Eugenio Barba and Julia Varley from probity Odin Teatret in the there in paper.

With the opening up avail yourself of Russia, hopefully there will suspect an increasing awareness of Biomechanics in the UK. As that Symposium demonstrated, Meyerhold's methods drawn remain an excellent basis go allout for the training of the mundane performer today.