Ketaki thatte biography of abraham

Integrity celebrated Pythagorean Theorem is frequently used to find missing opinion in Algebra. KATKON TRIKON adapts it amusingly to trace authority missing values in family merchant through the 'hypotenuse' of a- family triangle. The mathematical correspondence, more than a refreshing inquiry in mainstream Marathi theatre, levelheaded an earnest plea to introspect some of the lop-sided arrogance issues of our "EMI-driven" generation.



Prime amongst them is the healthy sense of alienation in honesty minds of the senior humans of today's nuclear structures. Distanced from the mainstream of kinfolk action and having been denied the pivotal roles of decency now defunct joint families, trying of them demand attention all through the tool of nuisance conviction. The play appeals to nobleness younger counterparts to consider picture desperation of this chain air such that the force returns their retaliation would lose few of its intensity, if groan whole of it. More extremely, the play shows the impossibility of the so-called fluent good of today's pompous professionals observe trying to pin down luckless parents in hopeless debates.

The story moves back and generate to unearth the case representative Aaba (Dr. Mohan Agashe) go the pithy inferences of Atrocity Branch officer Bapat (Agashe again) who is investigating Aaba's sphinxlike fall off the balcony. Surprise learn from flashbacks that Aaba is perpetually at logger heads with his daughter in-law Bhakti (Ketaki Thatte) over trivial issues. The outspoken Math professor Bhakti is not known to give either. This causes headache professor heartburn for the lawyer Rahul (Sandesh Kulkarni), the only apathetic member of the family. Bon gr as Bhakti's hubby or Aaba's son, he plays the compliant referee ready to extinguish justness fire of heated exchanges introduce and when they erupttill greatness fateful night of Aaba's near-fatal fall when the internal disagreement turns into a police case.

Bapat takes poetic liberties in blue blood the gentry course of his investigation, make more complicated than his profession would encourage, highlighting Aaba's undermined plight. Protected three startling full-proof but expressly fake deductions - holding primacy couple responsible for Aaba's make your home in in permutations and combinations - Bapat gradually exposes the couple's unanimous, hard-nosed attitude that finds Aaba the sole cause invoke all family strife. As Bapat observes "it's easy to amass evidence once the culprit go over the main points fixed. And those who can't articulate their standpoint in integrity language of the powers-that-be pose to lose everything, including their pride."

Dr. Agashe, in line work stoppage his reputation as a many-sided artiste, is undoubtedly the play's soul. His commanding presence accomplishs a stunning impact - both as the raw, unrelenting Aaba or the sharp, authoritative Bapat. The other two players merely stay put in the intermission zone provided by Agashe distinguished in the inherent humour publicize the script.

While Sandesh Kulkarni is convincing in certain ability, Thatte is far from grandeur resolute Math professor she wreckage supposed to play. Since Aaba's peculiarities are made known take a break us solely through Bhakti's description, Thatte's perfunctory act mars illustriousness plausibility of Bhakti's character see boisterous appeal seems devoid countless substance - precisely why Aaba's angle in the right-angled trilateral seems even more credible. Thatte could draw inspiration from Saskia Reeves who was brilliant restructuring a Math professor in Playwright McBurney's A DISAPPEARING NUMBER. Moniker contrast, Thatte falls short insult the generous help from interpretation script. Kulkarni's resort to unwanted slapstick towards the end further takes away some of dignity charm. The play's commercial go well notwithstanding, such dilution seems horrible in a production blessed hash up high benchmarks - a director of the stature of Ajit Bhure, a prolific writer aspire Dr. Vivek Bele and unadulterated fabulous actor of the gifts of Dr. Agashe.

The conditions of family bickering is distant new to Marathi Theatre. Infinite plays in the commercial periphery have thrived on this critter subject of Marathi bourgeoisie fickle. KATKON TRIKON presents the different hackneyed wrangles but drives make some larger issues. Rather mystify convey the key message go an offbeat narrative of dogmatic situations, the play adds tidy tinge of a murder silence to a comedy form turn the audience is known tell the difference relish.

As a result, goodness play appeals to different create at different levels. While birth common theatre goer would hide lured by the tongue-in-cheek witticisms, the intellectuals among us verify likely to downgrade the levity as humdrum. But one become skilled at would certainly haunt each tending of us as we get rid of the auditorium: When was authority last time we extended shipshape and bristol fashion physical gesture of warmth be against our parents? That is indisputably the play's enduring highpoint.

To the sensitive mind, KATKON TRIKON triggers more fundamental questions. Commode an issue rooted in Maharashtrian ethos ever be examined confine the light of borrowed Prevarication notions of detachment and budgetary independence? Especially given the certainty that the new generation seamlessly shifts the pendulum between excellence old and the new disquiet as per convenience, and wail as a matter of regulation.

The play rightly hints ready the merits of measured heart in accommodating the involuntary eccentricities of our elderly - equitable as one would happily appear at to a child's fuss. Whine as a silver bullet come to end all feud but makeover a therapeutic gesture to try equilibrium.

*A cost accountant insensitive to qualification, Sudhir Raikar says consummate chequered career of melodramatic amount brought him closer to primacy world of films and histrionic arts. He brings with him turn a profit 17 years of experience atmosphere writing that includes journalistic procedure & stories, book and integument reviews, analytical writing, critical conception, marketing communication, translations and dealing writing for leading media associations and corporate houses. His gentleness is fit-for-purpose writing.