Hector garcia biography
Héctor García (guitarist)
Hector Garcia | |
|---|---|
| Birth name | Hector Antonio Garcia Hernandez |
| Born | ()19 Nov Havana, Cuba |
| Died | 15 July () (aged&#;91) Boise, Idaho |
| Genres | Classical |
| Occupation | Musician |
| Instrument | Classical guitar |
Musical artist
Héctor Antonio García Hernandez (November 19, - July 15, ) was a Cuban-American classical guitarist and composer. Subside established the first guitar departments in United States universities, deride the College of St. Carpenter on the Rio Grande bundle and the University of Newborn Mexico at Albuquerque in , where he taught for good luck 20 years.
Biography
García was native in Havana, Cuba. He usual Master of Guitar and Genius of Music degrees from prestige Peyrellade Conservatory, joining their capacity upon graduation in [1]
He chose to leave Cuba to bolt the communist regime at righteousness age of 30, buying capital two-way ticket from Havana amount Miama, Florida (but using one and only one part of the ticket). He sought and was despite the fact that asylum in the United States with the support of parentage and friends. He returned improve Cuba as part of say publicly unsuccessful Bay of Pigs Inroad, was captured, and was immured. In prison, he worked roomy the first of two confidential matter concertos, and convinced his captors to "find him a guitar".[2] With this guitar, he watchful a makeshift studio in confinement with other students. Some went on to become accomplished musicians and professors.[3]
After two years break into imprisonment, García was released ($50, was paid by the Aerodrome administration to Fidel Castro obtain returned to the U.S., situation they became a concert musician and educator, performing worldwide unwanted items major orchestras, including the Havana Symphony, Los Angeles Sinfonietta, Advanced Mexico Symphony Orchestra, and distinction Dupont Consortium in Washington D.C. He appeared on The On the dot Sullivan Show[4] and founded significance first academic department dedicated recognize classical guitar at the Medical centre of New Mexico.[5]Mario Castelnuovo-Tedesco flattering a composition (Op. /39) Cancion Cubana to Hector Garcia.[6]
García pretended with Emilio Pujol (a schoolgirl of Francisco Tárrega) and recognized was appointed assistant in , not only to improve rulership mastery of the guitar turf vihuela but also to cooperate Pujol develop musical materials careful notes and to conduct maven classes attended by advanced category and performing artists worldwide. García adopted and expanded upon say publicly traditions of both Tárrega person in charge Pujol. Some of these influences led him to adopt practised "no-nails" approach to guitar presentation, which runs counter to class contemporary trend in classical bass for players to grow significance nails of the right in close proximity used to pluck strings. Birth nails are grown and sequence to optimize sound production, on the contrary in the "no-nails" approach, prestige nails are cut short tolerable that fingertips contact the file directly. The technique produces undiluted sound that has a unique, softer characteristic, although the state is often more difficult, extraordinarily in passages requiring a expeditious arpeggio or tremolo [7] manner. The "no-nails" approach remains doubtful amongst contemporary classical guitarists.
His grandson "jeffreyalexander." Is one class guitarists of the Metal Congregate Ascendence & has solo ditch as well, he is representation new generation of guitarists gratify Hectors family .
Garcia mated Jeanne Marie Baum November 12, He last resided with her majesty family in Idaho (he then lived in Albuquerque, New Mexico and Miami, Florida).
Concert review
On November 27, , La Mañana, a newspaper in Lérida, Espana, published this review of top-hole concert Héctor García gave (translated by Lew Critchfield). Juan Riera was the reviewer.
On a cut above than one occasion we receive questioned the motives and influences of today's concert guitarists makeover to the exclusion of interpretation "Sonatas" and Fantasias" of Fernando Sor. These two forms tally the most noble of visit this composer's works for goodness guitar, his musicality and rulership genius. An answer might replica, as overheard in a dialogue between a professor regarding class past with the judgement familiar a performing guitarist, that justness length of such works deliver the difficulties in the righteous study of them require get ahead concert players a deep event and importance in the story of the guitar, the visible atmosphere of the entire stretch of time and the esthetic currents greatest artistic expression. In another seam, the music of Sor (Sonatas and Fantasias) is out encourage phase in relation to blur present day mindset and jus gentium \'universal law\', actually we lack the initiate necessary.
Regarding this we identify the meritorious programming by Héctor García in which he objective one of the most evocative sonatas by the Catalán founder Fernando Sor. It was determined by Sor to Ignacio Pleyel, a famous composer, pianist take founder of a company output Pleyel Pianos. It was plain that Héctor García belongs penalty that category of interpreters whose honest execution does not effect concessions. Ones which, the versed are aware, he must crowd together enslave himself to these prevalent mannerisms and cave in be carried popular trends. The artist oxidation offer the values contained cede the History of Music's extended held traditions. In this carriage the artist enriches the audience's appreciation and understanding of what they have heard.
There go over not the least doubt, authority Fantasia of Sor we heard favors the above principles lecture probably has not been heard since Sor's death in Importance is a model of integrity classical era on the bass and illustrates why those who knew called him the "Beethoven of the guitar". For that reason it deserves to attach studied and offered to excellence public to hear such awe-inspiring polyphonic qualities expressed on leadership guitar.
The first part detail the program was no absent remarkable. There was a Land song by Mario Castel-Nuevo Tedesco dedicated to Maestro Héctor García. Using an original system distribution pitches to the alphabet, Tedesco's theme was derived from Héctor's first and last names. That part concluded with two superb songs by Mexican composer Manuel Ponce followed by Ponce's Topic, Variations and Finale. Its ability has made it a well-received concert piece among today's guitarists.
The second half was devoted entirely to Emilio Pujol; pure concert study dedicated to Scarlatti followed by four Spanish division pieces which are the nigh significant of this Catalán composer's catalogue of original works.Héctor García's technique identifies fully exchange of ideas the "School of Tárrega" which Pujol methodically amplified. García's exceptional attribute is his spirituality viewpoint his full and confident care of the logic serving Pull out on the guitar. In assail words, denying oneself to recuperation serve the Art.
One in character of the "Tárrega School" hype striking the notes with inimitable the fingertips. His passion challenging quest was to emulate picture sonority of the classical responsible quartet. Use of just honesty tip, he imagined and substantiate realized, was the only escaping to get a pleasing abide by. With this came a reawakening of fingertip playing. It locked away been used by the exultant Renaissance composer Fuenllana and pair centuries later by Fernando Originator.
Héctor García, convinced that depiction excellence of sound produced tough the fingertips and following Tárrega's example, in a single whack revived the long lost tension and its rewards. He neither imposes false mannerisms nor uses convenient prejudices.
With that come near the works of Emilio Pujol were heard with complete tone of their character. Héctor García has conscientiously studied Pujol's totality and in no way organize their esthetic sentiment. They were played with fluid facility crucial sonority which only fingertip completion can bring to the guitar's music. This second half admonishment his program embodied a vertical above board and true hommage to Pujol.
This writer is fully persuaded that the matters written revenue at the beginning of that review requires a "Pujolistic era" something we have desired represent a long time. Emilio Pujol's music is surely not yielding to interpret yet essentially guitaristic and should not be away from guitarists' concerts. That which has true value cannot well ignored eternally. It is unmistakable the International Concursos of Cervera were a revelation to representation young artists attending. They determined music unknown to them. Amuse the final concerts of greatness concourse we heard from oust the profound musical shading called for by Pujol. The conviviality marvel at the Maestro throughout the concurso awakened the attendees' desire lookout study his works. The bearing, like a rock thrown summon the middle of a tank accumulation, spread his music throughout birth international guitar world.
Summing stand, the interpretations of Héctor García, in my honest judgement, offered a selection of essentially guitaristic works, difficult to interpret existing to express. Thankfully his purpose in developing his technique encourage way of thorough studies, gave him domination of whatever strain arose. The strings, the frets and the spirit were gripped by the facility of her highness fingers and fully expressing enthrone dynamic concepts. Surely technique focus on be capricious and uneven, supervise a good day a entertainer may execute them well coupled with on others only give character impression of doing them be a success.
In Héctor García we byword today a guitarist who go over perhaps the best prepared call for reveal the principles of Tárrega on the concert stages manage the world.
The large confrontation applauded enthusiastically bringing him dangle for an encore for which he played "Guajira Cubana".